Thursday, February 13, 2014
Classic Films in Focus: THE LEOPARD MAN (1943)
Dennis O'Keefe stars as Jerry, the manager and boyfriend of an attractive singer named Kiki (Jean Brooks). Jerry and Kiki are playing a gig in New Mexico when he decides to generate publicity by renting a showman's leopard for Kiki to use as a prop, but the leopard promptly escapes. Soon young women are turning up dead all over town; the leopard is the obvious suspect, but Jerry realizes that something more sinister might be taking place.
Suspense and atmosphere are the key elements in this picture, which depends on the creation of a certain mood much more than it relies on the actual leopard or the killer who impersonates him. We see very little of either predator during the movie's most riveting scenes, when the young women meet their violent ends. The most famous is the first death scene, in which a frightened girl finds herself locked out of her house as something terrible closes in. Her skeptical mother, safely on the inside, mocks her until the girl's screams become too horrific to ignore. By then it is too late, and we see the dark pool of the girl's blood ooze beneath the door. The next girl meets an equally gory death in a walled cemetery, while a third, more brazen than her fellow victims, tries to laugh at the death card the fortune teller repeatedly draws for her. These moments make the most effective use of pacing, shadow, and sound, especially as Clo-Clo (Margo), the third young woman, plays a constant rhythm on her castanets wherever she goes.
Other Lewton films rely on the star power of actors like Simone Simon, Boris Karloff, Frances Dee, or Anna Lee, but The Leopard Man lacks a really fascinating central character. Dennis O'Keefe and Jean Brooks have no air of mystery about them; they're just two all-American folks hoping to assuage their guilt by finding the leopard and the opportunistic killer. The first two victims are lovely but not especially interesting girls, and they have too little screen time for us to become really invested in them. More compelling are Clo-Clo and her fortune teller friend, Maria, played by the very capable Isabel Jewell; they get quite a bit of development, and Clo-Clo's feisty, sweet and salty personality makes her the most engaging female character in the movie. While it would spoil the movie's ending to say too much about the killer, this is definitely not a story that makes a protagonist out of the heavy, which might be a bit of a letdown given the title and the implied possibilities for psychological aberration.
The story of The Leopard Man is adapted from Cornell Woolrich's novel, Black Alibi; film noir fans will also know Woolrich as the writer behind Phantom Lady (1944), Black Angel (1946), and Rear Window (1954). For more Lewton horror, try Curse of the Cat People (1944), The Body Snatcher (1945), and Bedlam (1946). Jacques Tourneur is best remembered today as the director of Out of the Past (1947), but he also made The Flame and the Arrow (1950), Night of the Demon (1957), and The Comedy of Terrors (1963). You'll find Dennis O'Keefe in Brewster's Millions (1945), T-Men (1947), and Raw Deal (1948). Jean Brooks and Isabel Jewell also star in Lewton's 1943 film, The Seventh Victim. See more of the charismatic Margo in Lost Horizon (1937) and Viva Zapata! (1952).
The Leopard Man is currently available for streaming on Warner Archive Instant.