Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts

Wednesday, June 1, 2022

LEGO Star Wars: Be My BBY

People who know me in real life or who read this blog frequently already know that I love combining my passions for LEGO and movies. As a Gen Xer I have a particular soft spot for the original Star Wars trilogy, and of course I love Carrie Fisher as Princess Leia. The daughter of Debbie Reynolds and Eddie Fisher, Carrie was a true princess of Classic Hollywood as well as an icon in her own right. I've been enjoying the appearance of young Leia on the new Obi-Wan Kenobi series on Disney+, and I think casting did a great job choosing Vivien Lyra Blair. 

Here's a recent LEGO MOC that celebrates my love for A New Hope and the love we fans feel for Princess Leia and her scruffy looking nerf herder, Han Solo. I know Han and Leia didn't get together until later, but the pun was just too good to resist, and this piece was built for a Valentine's Day themed contest in my club, TNVLC. Here we see Han and Leia (or maybe it's Harrison and Carrie?) stealing a kiss just before the Battle of Yavin.

 

BE MY BBY

 

Tuesday, May 19, 2020

CMBA Spring Blogathon: Classics for Comfort

The Classic Movie Blog Association is holding its Spring Blogathon this week, and the theme is Classics for Comfort, which we could all use right now! CMBA members are posting their "Top 5" comforting classics, which means we'll probably be picking a lot of comedies and musicals, but I'm excited to see what everyone else picks. As for me, I have definitely been going back to my comfort zone for movies since the pandemic sent us all into crisis mode back in March. I don't want to watch anything that makes me more anxious than I already feel, but my comfort zone encompasses both classic musicals and comedies, classic Disney films, and fair bit of science fiction (especially Star Trek - I have watched SO MUCH Star Trek lately because it always gives me hope for humanity's future). In keeping with the CMBA theme, here are my top five go-to classic movies for trying times, presented in chronological order because I really don't want to try to rank these favorites!

#1 BRINGING UP BABY (1938)

I absolutely adore everything about this wacky screwball comedy starring Katharine Hepburn and Cary Grant. I've seen it many, many times, and it still makes me laugh, even though I can recite almost all of the dialogue from memory. I love life-affirming, joyful comedy, which means the screwball genre is far and away my favorite, but this one holds a special place in my heart for being my childhood introduction to Katharine Hepburn. Hilarious physical comedy and outstanding supporting players keep the laughs coming from beginning to end. I especially love to show this one to kids because the leopards and the dog are chaos agents that really young viewers can appreciate, even if they don't grasp the romantic themes.





#2 THE ADVENTURES OF ROBIN HOOD (1938)

Errol Flynn's swashbuckling classic is another great choice for kids, but it holds plenty of charm for adults, too. The gorgeous Technicolor cinematography carries me away to Sherwood Forest, and Erich Wolfgang Korngold's score is absolutely perfect. I love its stars and its supporting cast, especially the delightful chemistry between Flynn and Alan Hale and the hilarious character comedy of Una O'Connor and Eugene Pallette, but Claude Rains and Basil Rathbone are also brilliant as the bad guys. Although many other Robin Hood films have been made, this one is the cornucopia of delights that I love best, and if you haven't shown it to your kids you should put that one your to-do list right now.




#3 SINGIN' IN THE RAIN (1952)

I'm sure this iconic musical will turn up on a lot of the CMBA bloggers' lists, but I have to include it here for the sheer joy it always fills me with when I watch it. My kid was a huge Gene Kelly fan when she was little, and this was her favorite movie, so much so that she sometimes ran around the house impersonating Lina Lamont. Debbie Reynolds' energy and pep are irresistible, and you just have to grin watching Kelly and Donald O'Connor dance. I'm a big fan of the colorful, upbeat musicals of the 40s and 50s in general, but this one brings the perfect cast together in such a blitz of wonderful numbers and hilarious comedy that it definitely deserves its place in movie fans' hearts. Once again, this is a great classic movie to show kids; just be prepared for the Lina Lamont impressions and tap dancing likely to ensue!

#4 LADY AND THE TRAMP (1955)

I'm not much of a Disney princess fan, although I love the gorgeous animation of Snow White (1937) and Sleeping Beauty (1959). I'm much more enamored of Disney's classic animal tales, and Lady and the Tramp is the one I especially love to go back to for its sweet, soulful depiction of a dog's life. The charming setting, the lovely animation, and the wonderful voice performances all delight me with each new viewing. I find most of Disney's classic animal movies comforting because I loved them as a kid and then loved watching them with my kid, but this one remains a favorite with both of us, and we almost always watch it when one of us is sick and needs something familiar and cheerful to watch while convalescing on the couch.



#5 STAR WARS: A NEW HOPE (1977)

I realize I'm skirting the definition of "classic" for some people, but the original Star Wars trilogy holds a deep and special place in my heart, and I will almost always go back and watch A New Hope again when I need a serious morale boost. Just a few bars of John Williams' powerful score can send me into a reverie of memories and feelings about a galaxy far, far away. The movie itself is full of hope and courage and self-sacrifice, but it also connects me with my younger self, the lonely, hopeful farm kid I used to be, who also dreamed of escape and a different life. I return to Luke Skywalker, Princess Leia, and Han Solo as old friends, familiar if frozen in time on the screen, and the sorrows of the time that has passed (how we miss you, Carrie Fisher) make the experience sweeter still.


 I guess from this list you could probably deduce that I take a lot of comfort in music, color, adventure, and happy endings if not outright comedy. For comfort I gravitate toward movies that are gentle enough to watch with the family but exciting enough to keep the plot rolling, and romance is a welcome part of the equation as long as the heroines are plucky. These are all movies that make me feel happy when I watch them; they remind me that joy, friendship, laughter, and courage all exist in the world even when things look bleak. I'm sure my fellow CMBA bloggers will have lots of interesting choices on their lists if my five picks aren't your cup of tea, so make certain you check out the rest of the blogathon posts!

Tuesday, March 21, 2017

My Life in Films: Favorite Movies by Year

Film Twitter has prompted me to join in on the recent lists of people's favorite movies for each year of their lives. At 45, I feel like that's a lot of territory to cover, and of course a lot of the movies I watch these days came out long before I was born, but I have seen most of the big hits for most of the years in question.

I want to clarify my process a bit before I get to the actual list. As I looked at the films for each year, I asked myself the following questions:

1) Do I own the movie? If I didn't feel the need to buy it, then it's probably not my favorite.
2) How many times have I voluntarily watched this movie? Have I watched it again recently?
3) How much of this movie can I quote or recite from memory? The more of it I know by heart, the bigger the impression it has obviously made.
4) Do I own merchandise and/or clothing celebrating my love for this movie? Since I'm wearing a Yoda t-shirt as I type this post, it would be silly to pretend that I'm not a sucker for Star Wars and/or Muppets. Not all movies get merchandise, of course, but if I love something enough to wear it on a shirt I'm probably pretty attached to it.

I didn't pick the "best" movie from each year; I picked a favorite. I didn't think about Oscars or box office appeal (or lack thereof) or whether hipsters would approve of my choices. Sometimes the decisions were excruciatingly hard, and there are three or even four really close seconds that on a different day might get the edge over the one I chose today. I didn't pick any of these to impress anyone; I'm a lifelong geek with a deep love for science fiction, fantasy, Disney, animation, and comic books. I like quirky, funny stuff. I like super heroes. I picked movies that I go back to many times because they make me happy, so you won't see a lot of tragic downers on this list because my favorite movies are the ones that make me want to keep living. Your list will be different, and that's OK.

So, without further delay, here's a favorite film for every year of my life so far...

1972 Dracula A.D. 1972   (Cushing & Lee do disco Dracula - I can't help it)
1973 Robin Hood    (yes, the Disney one)
1974 Young Frankenstein    (Sweet mystery of life at last I've found you!)
1975 Monty Python and the Holy Grail      (Just a little peril...)
1976 Murder by Death     (I love the cast; I love the parody of the genre)
1977 Star Wars     (Changed my life)
1978 Invasion of the Body Snatchers    (Donald Sutherland's goggle-eyed stare!)
1979 The Muppet Movie    (Makes me deeply happy. Can you picture that?)
1980 The Empire Strikes Back    ("I love you." "I know.")
1981 Raiders of the Lost Ark    (Bad dates. Plus, Nazi punching!)
1982 The Last Unicorn      (Makes me cry. One of my favorite books ever.)
1983 Return of the Jedi     (Yes, I even like the Ewoks.)
1984 Ghostbusters     (There is no Dana!)
1985 Back to the Future     (Still so much fun)
1986 Labyrinth     (Tough year of choices, but I'm going for Bowie & weird Muppets)
1987 The Princess Bride    (Come, my love, I'll tell you a tale...)
1989 Indiana Jones and the Last Crusade    (My favorite Indy movie)
1990 Back to the Future III    (I love the Western steampunk vibe)
1991 The Addams Family    (Because it's awesome & so is the pinball machine)
1992 The Muppet Christmas Carol    (Light the lamp, not the rat!)
1993 Groundhog Day    (Because we watch it every year)
1994 The Lion King     (Hakuna matata!)
1995 Babe    (I grew up with Border Collies, and James Cromwell is great.)
1996 Matilda    (A girl reads books - what's not to love?)
1997 The Fifth Element   (Super green!)
1998 Dark City    (Ebert's favorite for 1998 and mine, too)
1999 The Iron Giant    (What you currently have - IN YOUR MOUTH - is art!)
2000 O Brother, Where Art Thou? (For the Preston Sturges allusion & so much more)
2001 Monsters Inc.    (Put that thing back where it came from or so help me...!)
2002 Lilo & Stitch    (It's hard to be weird, whether you're a girl or an alien experiment)
2003 Peter Pan    (best adaptation yet of this story)
2004 Hellboy     (I love everything about this movie)
2005 Wallace & Gromit: The Curse of the Were-Rabbit  (My favorite W&G)
2006 Penelope    (Modern fairy tale with a very cool cast)
2007 Hot Fuzz   (The soundtrack alone wins for me, but movie is so delightful)
2008 Miss Pettigrew Lives for a Day (So English. Hilarious & heartbreaking.)
2009 Star Trek   (Trek is back! Nimoy is back! Joy!)
2010 Scott Pilgrim vs. the World    (I'm team Knives)
2011 The Muppets   (For embodying my nostalgic love perfectly)
2012 The Avengers   (Joss Whedon! Agent Coulson!)
2013 Belle    (Gets my 18th century groove on in a big way - lovely film)
2014 Guardians of the Galaxy   (It's all about Rocket and Groot)
2015 Mad Max: Fury Road    (Motorcycle matriarchs - heck, yeah)
2016 Star Trek Beyond    (Trek done right - plus, Simon Pegg!)

Since it's only March, it's too early to declare a favorite for 2017, but it looks like a full year of contenders. Hopefully it will end up being another year where it's really hard to choose.

Friday, May 10, 2013

Movie Lines We Live By

People love movie quotes in general, but sometimes lines from films become more than mere trivia items and evolve into part of the viewers' vocabulary, especially in groups where people have the same viewing history. In fan communities these lines become part of a code that denotes membership in the "inner circle" - people who can endlessly trade lines from Firefly, Doctor Who, or Star Trek recognize one another by the level of their knowledge. In more personal settings, however, the quoted lines can actually serve as a kind of shorthand communication between speakers: knowledge of both the source and the context is a given, and speakers are able to express a number of things at once, reinforcing the power and nuance of their shared experience.

I sometimes wonder what outsiders make of the conversations my husband and I have, since they are loaded with movie quotes that mean very particular things to us, and perhaps to us alone. We have been watching movies together for 22 years, more than 16 of those as a married couple. Along the way, we have collected enough movie lines that we could probably have an entire conversation composed of nothing else. The lines that become part of our vocabulary - a sort of cinematic "twin language" - reflect shared experience and interests, both personal and generational. In other words, we're a pair of Gen X geeks, and it definitely shows in the movies we quote to one another.

Here are some of the movie lines we live by, along with a little commentary about where they come from and what they mean to us.

"Chefs do that." - The Long Kiss Goodnight (1996)

Renny Harlin's noirish action picture stars Geena Davis as an assassin with amnesia; early in the picture she begins to recover some of her memories and forgotten skills, including some radical knife wielding abilities. My husband simply cannot pick up a knife in the kitchen without this line coming into play, but we also use it when one of us does something unexpected while cooking. Accidentally drop a plate and then catch it in mid-air? "Chefs do that." Almost lost a finger chopping broccoli? Ditto.

"Honestly... Who throws a shoe?" - Austin Powers: International Man of Mystery (1997)

The actual line in the original Mike Myers spy spoof is reversed, but if either of us says "Honestly!" we are compelled by a deep-rooted psychological force to follow it with "Who throws a shoe?" It's a perfect expression of disbelief at a ridiculous event. The first Austin Powers movie is really quite a goldmine of domestic quotes, including "One MILLION dollars!" and "An EVIL petting zoo?"

"They told me they fixed it!... It's not my fault!" - The Empire Strikes Back (1980)

No self-respecting Gen X geek could get by without quoting Star Wars a couple of times a day, but in a domestic setting this line from Lando Calrissian proves especially handy. My husband tends to employ it most often whenever plumbers, carpenters, or car repairmen are involved, but computer technicians also inspire the line. When you expect something to work and it doesn't, it's time for the Lando line.

Other household favorites from the original trilogy include "I am not a committee!", "Would it help if I got out and pushed?", "I've got a bad feeling about this," "Would someone get this walking carpet out of my way?" and "I have altered the agreement. Pray I do not alter it further." We don't quote the prequel trilogy because that stuff is heresy. It would be like Baptists quoting the Book of Mormon.

 "You must not read from the book!" - The Mummy (1999)

I really couldn't tell you how many times we have watched Stephen Sommers' remake of the classic mummy movie, but it's enough that the dialogue has permanently embedded itself in our brains. Being a family of avid readers, we find a lot of use for this line about The Book of the Dead, but the film is full of gems that pop up regularly in our conversation. An icky corpse on a murder show often prompts, "Looks like you boys found yourselves a nice gooey mummy."

"She's a gasper!" - Rising Sun (1993)

My husband quotes this line, in a terrible Sean Connery impression, every time kinky sex is part of a plot on a TV show or film (or in the news). He can't help himself. In the original reference, the dead woman engaged in choking as part of bedroom play. For us, the line stands in for any crazy sex quirk, but of course the Connery impression only cements the idea of the act as ridiculous. At this point, I really don't remember that much about the movie, aside from it not being an especially good film, but this line will live on in our household vocabulary.

"Jesus, Grandpa! What did you read me this thing for?" - The Princess Bride (1987)

Of all the quotable lines in The Princess Bride - and there are dozens of them - this is the one that gets the most play at our house, primarily when one of us has suggested a film, TV show, or book that is a lot more violent or horrible than we expected. All one of us has to say is "Jesus, Grandpa!" and we know it's time to hit the stop button on the DVD player. It's also a handy line to communicate the inappropriate nature of a film or show for our kid - "No, I think that would end up being a 'Jesus Grandpa' experience. Let's skip it."

Runners-up from The Princess Bride include "Remember, this is for posterity, so be honest," often used when talking about how sick or injured one of us is, and "Get some rest. If you haven't got your health, you haven't got anything," which is a particular favorite in my conversations with my over-taxed BFF.

This list could go on for a long time, but I think you get the idea. I'll leave you with ten more of our favorite lines and their sources. In the comments section, feel free to tell me about some of the movie lines you live by!

"Cats and dogs living together...!" - Ghostbusters (1984)
"Cute plan, though." - Heist (2001)
"I like you, Clarence. Always have. Always will." - True Romance (1993)
"There's a snake in my boot!" - Toy Story (1995)
"The stars at night are big and bright - *clap clap clap* - deep in the heart of Texas!" - Pee-Wee's Big Adventure (1985)
"Two girls with green eyes!" - Big Trouble in Little China (1986)
"Snake Plissken... I heard you were dead!" - Escape from New York (1981)
"It's not a tumor!" - Kindergarten Cop (1999) *NB - We didn't even see this movie, and the line still stuck! Probably tied with "Consider this a divorce!" - Total Recall (1990) Both have to be uttered in the worst Arnold Schwarzenegger impression possible.
"Damn! We're in a tight spot!" - O Brother Where Art Thou?" (2000)






Tuesday, September 4, 2012

Classic Films in Focus: STAR WARS (1977)



Some people might be surprised to find Star Wars: A New Hope (1977) categorized as a classic movie. Certainly it can be difficult to look back at the original film now with a clear picture of it, especially with the clutter of the later trilogy and the commercial juggernaut Lucas built from the whole series crowding one's view. Nonetheless, the Star Wars that debuted in 1977 is very much a film whose roots are deep in the classic movie tradition, and that tradition accounts in large part for its enduring appeal.

George Lucas borrowed heavily from one particular classic movie for his plots and characters. Akira Kurosawa's The Hidden Fortress (1958) has been widely cited as a major source, and, when one sees the film, one can see the similarities quite clearly. Nobody can fault an American director for stealing from Kurosawa, since it only shows the good sense of the borrower in recognizing the work of a superior creative mind. John Sturges stole from Kurosawa's The Seven Samurai (1954) for The Magnificent Seven (1960), and Sergio Leone stole from Yojimbo (1961) for A Fistful of Dollars (1964). This busy borrowing was all fine because Kurosawa himself had been pilfering Shakespeare and Dashiell Hammett, as well as the American Western film tradition at large, for his own pictures. Lucas took the comical, scene-stealing peasants of The Hidden Fortress as the models for C-3PO and R2-D2, and the plot involving the imperiled but feisty princess gave rise to the story of Princess Leia. The Japanese film is over two hours long, and it lacks the vehicle sequences that Lucas delights in creating, but any serious Star Wars devotee or Kurosawa fan ought to take the time to watch The Hidden Fortress in its entirety. It clarifies so much of what A New Hope is all about and where its loyalties to its characters really lie (think about the fact that the droids manage to be major players in all six movies!).

The discussion above hints at the complex relationships between different cinematic traditions, and Star Wars is one of those films that form a kind of nexus where many different influences reveal their ties to one another. Directors who made Westerns borrowed from Kurosawa, who was himself borrowing from the older Westerns, and Lucas borrowed from both of them. Samurai movies and cowboy pictures have a lot in common, and Star Wars functions as both simultaneously. The Jedi are more like samurai in their strict codes and rejection of blasters in favor of lightsabers, but they also have a strong gunslinger aspect in their larger-than-life abilities and engagement of danger. Obi-Wan Kenobi's name sounds more sensei than sheriff, but he's also a lot like an older John Wayne hero, who shows the kid the ropes and goes down to make way for a new generation. Think about Wayne in a film like The Man Who Shot Liberty Valance (1962), for example, or The Shootist (1976). The dusty scenes of Tatooine are as much Tombstone as Tunesia (where they were actually shot), with the bar fight simply a more exotic saloon where the new cowboy in town inevitably gets into a fight. Certainly one can see the Western influence in the character of Han Solo; he's almost a space version of Hondo (1953) with a Wookie instead of a dog. He's the classic drifter whose better nature eventually gets the upper hand, in spite of his intention to remain detached, just like so many of the gamblers, gunslingers, and rough riders who populate the classic Western landscape.

Star Wars is nominally science fiction, although some might counter that real science fiction has to speculate about the future and the changes brought by technology and events (I would agree with them, and I think it is more appropriate to call Star Wars a fantasy). However, the science fiction vibe of Star Wars also comes from its classic movie roots, this time in the form of matinee serials from the 1930s and 1940s. Flash Gordon (1936) comes immediately to mind, but one also has to look at Gene Autry's 1935 Phantom Empire serial, which obviously connects with the name of the later Star Wars installment, The Phantom Menace (1999). Autry was making a cowboy sci-fi series forty years before Lucas made his picture, and again the genres reveal their connections to one another in terms of plots, themes, and characters. 

Finally, add in performances from classic movie stalwarts like Sir Alec Guinness and Peter Cushing to leaven the energy of the largely newcomer cast. They give a certain gravitas to the film; Guinness lends class and a touch of dry English humor, while Cushing brings classic horror menace and serpentine intelligence. Guinness might not have liked the resulting fervor for Star Wars, but he helped to create it with his brilliant work, and nobody could project urbane evil better than Peter Cushing, except perhaps Christopher Lee, who would get his own turn as a Star Wars villain some twenty years after his longtime horror costar. These kinds of casting choices indicate Lucas's deep affection for and awareness of classic films and their stars. Even Carrie Fisher brought ties to that world into Star Wars; the daughter of Eddie Fisher and Debbie Reynolds was a Hollywood princess, indeed.

I realize that some classic movie lovers might scratch their heads over the appeal of a picture like Star Wars, but there's a lot here for a classic film fan to love. Lucas' original movie was a love letter to the films that he himself loved, classic films and forgotten gems from another era. Mix all of those elements up with a hefty dose of Joseph Campbell and you get a film that is at once startlingly new and deeply familiar. It is so many things at once, but all of its parts were forged from the fine materials of classic movies. Go watch the original 1977 version again, and, this time, do it with the classics in mind.

This review was originally published on Examiner.com. The author retains all rights to this content.