Showing posts with label websites. Show all posts
Showing posts with label websites. Show all posts

Wednesday, September 6, 2023

My Criterion Closet Wish List

I really enjoy watching the Criterion Closet Picks videos where various actors and filmmakers get to choose movies to take home with them. Their selections reveal interesting details about their tastes and experience with film, although they do tend to favor certain genres, decades, and directors, partly because of the generational range of the guests themselves and partly because of the cinematic tastes cultivated by being in the film business. I don't own a lot of Criterion Collection discs because I spent many years building up a classic movie DVD collection back when they were more widely available and fairly cheap, but now that DVDs and Blu-rays of classic movies are much harder to acquire I am increasingly turning to Criterion and Kino Lorber to expand my collection.

The Closet Picks videos always make me wish I could afford a full scale Criterion shopping spree, but if, by magic or divine intervention, I got to be a guest on Closet Picks, what movies would I choose? I'd want to pick films I don't already own and that I have seen at least once and know I would enjoy owning. I'm limiting myself to eight movies because the Closet Picks videos only show a handful being selected, which means I spent a lot of time narrowing my list! 

Here's my fantasy Criterion Closet list:

I Know Where I'm Going! (1945) - I absolutely adore this comic gem from Powell and Pressburger, with Wendy Hiller as a headstrong young woman determined to marry a rich, older man in spite of the handsome Scottish laird fate suddenly throws her way. The location cinematography, the delightful visual style, and the wonderful characters make this movie truly special. 

Nightmare Alley (1947) - As much as I love the romantic swashbuckling version of Tyrone Power, I can't deny his brilliance as the scheming carny in this original movie adaptation of the novel. It's one of the weirder noir classics, but the carnival sideshow makes a perfect setting for noir's favorite themes. The Criterion Blu-ray has been in my Amazon wish list for ages, but other items keep taking precedence.

The Third Man (1949) - Carol Reed's fantastic post-war noir is such a great use of Orson Welles' sinister charisma. Who can resist Harry Lime? Joseph Cotten and Alida Valli are also terrific, and the musical score really gets into your head. I've seen this movie several times, but somehow I haven't managed to own it yet, even though I love it enough to build LEGO tributes to its more iconic scenes.

Kind Hearts and Coronets (1949) - I would love to own all of the Ealing Studios films, but this one is especially hilarious thanks to Alec Guinness playing eight different characters. It's currently listed as out of print on the Criterion website, but I bet they still have copies in that closet. (It looks like Kino Lorber might have this and some other Ealing pictures available for those of us who can't get invited to raid the closet or launch a daring Ladykillers style heist.)  

Stagecoach (1939) - Along with My Darling Clementine (1946), this is one of my favorite John Ford Westerns, thanks to its amazing ensemble cast. John Wayne doesn't show up right away, but he has a tender romance with Claire Trevor that works beautifully and allows him to be sweet and vulnerable. I'm a sucker for great character actors, and this movie just bursts with them  - John Carradine, Andy Devine, Thomas Mitchell, and Donald Meek all have significant roles.

Arsenic and Old Lace (1944) - I don't have an actual Boris Karloff movie on this list, but he's present in spirit for this wacky Capra adaptation of the stage play, in which Karloff played the role taken by Raymond Massey for the movie version. This is one my top Halloween favorites, so it's a shame I don't own it yet, but I went with the Criterion edition of I Married a Witch (1942) the last time I had to pick which Halloween comedy to buy.

Beauty and the Beast (1946) - Jean Cocteau's dreamy fairy tale is a great starter choice for kids and people just venturing into foreign classics. It's both deeply familiar and hauntingly strange, and Disney borrowed heavily from it for their own animated version of the old story. Every frame is just gorgeous, and I'd love to be able to revisit it whenever I want.

Mildred Pierce (1945) - This Joan Crawford tour de force is another one I've seen several times but haven't managed to pick up yet for my personal collection. It's packed with so many of the things I love in classic movies - female narratives, noir style, romance and melodrama, great cinematography and costumes. Women's noir fascinates me, and this is one of the very best of the genre. I especially appreciate the way it focuses on Mildred's relationship with her poisonous daughter and the lengths to which the guilt-stricken Mildred will go to protect her.

Two Criterion films I already own (both great!).

That's my wish list! Some of the movies that almost made the final eight are To Be or Not to Be (1942), Heaven Can Wait (1943), Hobson's Choice (1954), 3:10 to Yuma (1957), and The Heiress (1949), but there are dozens of others in the Criterion catalog that I would love to own. What movies would you pick from the Criterion Closet if you had the opportunity?*

* Reminder! If, like me, you enjoy classic movies on a more modest budget, you can get access to a wide selection of Criterion titles by subscribing to the Criterion Channel, which is a great bargain at $11 a month.


Sunday, September 8, 2013

Check Out the New Movie Site Rinema


If you're already a user of Letterboxd and iCheckMovies, you'll want to check out the newest social media site for film fans, Rinema, which just launched earlier this week. I have been playing with it since it went live on Thursday, and so far I really like it. I also think it has some features that help it stand out from its competitors.

You can rate movies you have seen on Rinema, of course, but you can also do a lot more. The Pinterest inspired set up allows you to comment on movies rated or commented on by other users, and the visual design of the site is one of its most welcoming features. Lists are very easy to make and include the same strong visual component, although right now there are a few little kinks to work out (a "Feedback" button right on the page makes it easy to report any problems, however, should you have them).

I hope to add more "Taste Buddies" as the site acquires users. Rinema uses an OkCupid style of matching to compare users' ratings and suggest friends. Right now the pool is fairly small, but it should grow over time. The more movies you rate, of course, the more information the site has to work with.

Classic movie fans might have shared my frustration with iCheckMovies, which only rewards users for watching movies that are actually on its official lists, but Rinema is more egalitarian. It doesn't have any awards to work toward, but it does count every movie you rate. Rating movies is made even easier because Rinema lets you search movies by actor, director, or genre key word as well as title. That makes it really simple for classic film fans to go through and rate all of those Fred Astaire musicals, Preston Sturges comedies, and Joan Crawford dramas without having to type in every title. So far I have rated 1055 films since Thursday, but I have a lot left to do before I catch up with my actual tally!

If you do decide to give Rinema a try (it's free, so why not?), look me up. Here's my profile: http://www.rinema.com/users/garlengirl I'm working on lists for BEYOND CASABLANCA readers, and once the new book comes out I'll add a list for that one, too.

Finally, I have to mention that I have had several email conversations with Rinema creator Grishma Udani (based out of India), and she is super nice and very enthusiastic about communicating with movie lovers and making the site work well. Be sure to "friend" her if you sign up as a user (she's easy to find on the Leaderboard). She is eager to get feedback from users, so let Rinema know what you do and don't like when you start rating films.