Ball plays attractive lady swindler Ricki Woodner, who gets involved with fellow con artist Ace Connors (Hodiak) at the behest of mutual acquaintance Fly Feletti (Elisha Cook, Jr.). Fly wants to get his hands on a stack of bonds stolen by Ace, but so does law man Bob Simms (Lloyd Nolan), who is taking Ace by train to New York and prison. Ricki tags along on the trip, which includes stopovers in Mexico and New Orleans, but her developing attraction to Ace complicates her efforts to make off with the bonds.
Despite her reputation as a comedienne, Lucille Ball could be as gorgeous and classy as any leading lady of her era, and she makes a good match for Hodiak and his carnivorous grin. Both actors know their way around the wised up attitudes of career criminals who are much better at lying than they are at telling the truth, even when falling in love. Their dishonest habits both bring them together and divide them, and much of the romance builds upon the problems of two untrustworthy people trying to come clean about themselves and their feelings for each other. The story underlines its themes of penitence and redemption by situating the last third of the action in New Orleans at Mardi Gras, where Ace describes his impending prison term as the Lent that follows a last wild night of self-indulgence.
The romance is further complicated by the presence of Bob as an unusual third wheel, given that Ace is technically under arrest the whole trip. Lloyd Nolan plays Bob as a perfectly straight arrow, which actually makes him subtly funny, and his mild demeanor keeps him likeable in spite of his kill-joy role as jailer. We like Ace because he’s more fun, but we never dislike Bob, partly because Ace clearly respects and likes his opponent, too. Bob’s opposite is Elisha Cook, Jr. as the devious, thoroughly nasty Fly, who threatens Ricki to keep her working for him and then resorts to more deadly efforts during the dramatic Mardi Gras climax. These two supporting characters represent the polar opposites of good and evil, law and chaos, with Ricki and Ace existing somewhere in between. The narrative’s insistence that the lovers pay for their past sins makes for something of a downer ending, but we’re meant to understand that they’ll come out on the other side worthy of having a new life together. The end result is basically a morality play, but there’s enough entertainment to make the dose palatable to most viewers.
For more romantic criminals, try Trouble in Paradise (1932), To Catch a Thief (1955), and The Thomas Crown Affair (1968). Jules Dassin, known mostly for his work with film noir, also directed The Naked City (1948), Night and the City (1950), and Rififi (1955). See more of Lucille Ball’s big screen roles in Dance, Girl, Dance (1940), The Dark Corner (1946), and Lured (1947). John Hodiak stars in Lifeboat (1944), The Harvey Girls (1946), and Battleground (1949), and you'll also find him paired with Lloyd Nolan in Somewhere in the Night (1946). Elisha Cook, Jr. turns up everywhere from The Maltese Falcon (1941) to House on Haunted Hill (1959), while Lloyd Nolan takes the title role in Michael Shayne: Private Detective (1940) and its many sequels.
Two Smart People is currently available for streaming on Warner Archive Instant.
