Six Books for Your Classic Movie Christmas List

It's time to start the Christmas shopping in earnest, and your friends and relations are asking you what you want this year. Maybe you're doing some Christmas shopping for fellow cinephiles, as well. DVDs can be tricky, since everyone with a serious film obsession already owns enough movies to restock a closed Blockbuster location. Whether you're looking for gifts for yourself or others, books can be a great choice. Here are six relatively new books about classic movie topics that you might consider.

VIVIEN LEIGH: AN INTIMATE PORTRAIT - By Kendra Bean, with forward by Claire Bloom

This newest biography of the iconic leading lady is getting great reviews, and I have it at the top of my own wishlist this year. Plenty of  photos enhance the story of Leigh's life and career. The book is currently available in hardback for $22.89 on Amazon, which I think would be preferable to the cheaper Kindle edition because of the illustrations.

A LIFE OF BARBARA STANWYCK: STEEL-TRUE 1907-1940 - By Victoria Wilson

This biography of Stanwyck just came out on November 12, 2013, which means that even hardcore classic movie fans probably don't have it yet. The actress certainly lived an interesting life, so any biography ought to make for exciting reading. Although it retails for $40, you can get the hardcover edition on Amazon for $29.70, while the Kindle edition is just $14.99.

ANN DVORAK: HOLLYWOOD'S FORGOTTEN REBEL - By Christina Rice

If you're looking for a new biography of a more obscure star, you might try this account of the life of Ann Dvorak, perhaps best remembered today for her role in Scarface (1932). This is the first full-length biography of the actress, so it should offer plenty of new information to fans of her films. Published by the University Press of Kentucky, the book retails for $40 but is available in hardcover on Amazon for $35.23. The Kindle edition is $22.99, rather steep for a Kindle ebook but typical of an academic publisher's pricing.

PEG ENTWISTLE AND THE HOLLYWOOD SIGN SUICIDE - By James Zeruk Jr.

Having published two books with McFarland myself, I'm always happy to help get the word out about their authors' publications. James Zeruk is a fellow classic movie fan whose biography of the tragic Peg Entwistle ought to please seriously hardcore classic movie enthusiasts.  Like most McFarland books, the paperback is pretty expensive; Amazon has it for $37.95, but you can get the Kindle edition for $17.99. This book was just released in October, so it's still quite new.

EXTRAS OF EARLY HOLLYWOOD: A HISTORY OF THE CROWD, 1913-1945 - By Kerry Segrave

If you want to get really deep into the obscure people of classic cinema, try Kerry Segrave's account of Hollywood extras. This is also a McFarland title; it was released in April 2013, but it looks like it has flown beneath the radar enough to be something even avid film fans might not know about yet. (McFarland mostly sells to libraries and doesn't really promote its titles to general readers.)

BEYOND CASABLANCA: 100 CLASSIC MOVIES WORTH WATCHING - By Jennifer C. Garlen

My own book came out just a little over a year ago, and people who have bought it tell me they enjoyed it. Beyond Casablanca is meant to be a guide book for both newcomers and veteran fans; as the title suggests, I try to get beyond the most obvious classic movies to discuss films that people might not be as familiar with today. It's available in paperback on Amazon for $16.20 and on Kindle for $4.99.

What books are on your classic movie Christmas wishlist this year?

Classic Films in Focus: THIRTEEN WOMEN (1932)

Directed by George Archainbaud, Thirteen Women (1932) is a Pre-Code thriller starring two great actresses of the 1930s, Irene Dunne and Myrna Loy. As its name implies, this film focuses on female characters for most of its action, which sets it apart from other murder mysteries, but it’s a mixed bag as a picture, with a particularly weak third act. Fans of Myrna Loy, however, will still want to see Thirteen Women for another of the star’s memorable performances as an exotic femme fatale, while those who enjoy classic Hollywood trivia will appreciate the film as the only screen appearance of the doomed Peg Entwistle, who famously committed suicide by throwing herself from the top of the Hollywood sign.

Loy plays the mesmerizing half-caste murderess, Ursula Georgi, who uses a swami (C. Henry Gordon) to exact revenge on a group of schoolmates who were unkind to her years ago. One by one the women succumb to Ursula’s baleful influence, and even the swami ends up dead. The survivors gather and hope to ward off their predicted fates, but their leader, Laura (Irene Dunne), must confront the enemy when Ursula targets her son, Bobby (Wally Albright), as the next victim. With the help of a handsome police sergeant (Ricardo Cortez), Laura strives to keep Ursula’s latest prediction from coming true.

We never actually see the whole group of thirteen women in the movie; apparently, some of them ended up on the cutting room floor, with the final version of the picture chopped down to a mere 59 minutes. Fortunately for Hollywood history, Peg Entwistle’s brief appearance stayed in the picture, giving us our only chance to see her onscreen. Like most of the other actresses, Entwistle gets a chance to crank up the sense of doom; ironically, her character, Hazel Cousins, does not commit suicide but instead goes mad and stabs her husband. Mary Duncan opens the series of tragedies with a very effective performance as June Raskob, the trapeze artist, and Kay Johnson has perhaps the most heart-wrenching fate as the grieving mother, Helen, who needs little encouragement from Ursula to kill herself after the recent death of her young child.

Myrna Loy’s performance as the villainous foreigner serves as the real attraction of the film. With her striking costumes and heavy eye makeup, Ursula symbolizes the seductive Eastern Other, striking out at white Western women after their thoughtless rejection of her. Loy got typecast in this kind of role early in her career, but she does it so well that it’s easy to see why. Her best scenes feature her seducing and manipulating the helpless swami and her accomplice, Burns (Edward Pawley), especially the moment that sees her willing the swami to death on the train platform. Men simply turn to putty in her hands, and her hypnotic stare rivals that of Bela Lugosi in Dracula (1931). She really is a vamp, formed only to corrupt and destroy. Unfortunately, the ending denies her the kind of suspenseful, thrilling chase and climax that such a character deserves. That deflating, uninspired conclusion proves far more troubling than the missing women or any other problems with the picture, and it keeps Thirteen Women in the minor leagues as an example of its genre.

For another of Myrna Loy’s seductive vamps, see The Mask of Fu Manchu (1932), or catch her more famous performances in The Thin Man (1934), The Great Ziegfeld (1936), and The Best Years of Our Lives (1946). Irene Dunne earned five Oscar nominations for Best Actress over the course of her career, including nods for The Awful Truth (1937), Love Affair (1939), and I Remember Mama (1948). George Archainbaud directed for many Westerns and television series, including The Lone Ranger series starring Clayton Moore and Jay Silverheels.

You can currently see Thirteen Women on Warner Archive Instant.