One
of classic Hollywood's great dames, Barbara Stanwyck enjoyed an acting career
that lasted well over fifty years and stretched from the early days of talking
pictures to the golden age of television. Like many classic stars, Stanwyck
could do it all; she appeared in comedies, melodramas, Westerns, and stylish
noir thrillers, and her tremendous screen presence always served her well. Here are ten of Stanwyck's most memorable movies, with spotlight discussions of three that represent different aspects of her career.
1.
Baby Face (1933)
2.
Stella Dallas (1937)
3.
Ball of Fire (1941)
4.
The Lady Eve (1941)
5.
Meet John Doe (1941)
6.
Double Indemnity (1944)
7.
Christmas in Connecticut (1945)
8.
The Strange Love of Martha Ivers
(1946)
9.
Sorry, Wrong Number (1948)
10.
The File on Thelma Jordan (1950)
Spotlight films
The
Headliner: Double Indemnity (1944)
Dir.
Billy Wilder
Wilder's
white hot masterpiece of film noir style immortalizes Stanwyck as a faithless
femme fatale who manipulates and betrays Fred MacMurray in order to collect a
hefty life insurance payout on her unsuspecting husband. Despite a famously bad
wig, Stanwyck gives an electrifying performance in the role of the scheming
Phyllis Dietrichson, thus becoming one of the great icons of classic noir. The
film was nominated for seven Academy Awards, including a nomination for
Stanwyck as Best Actress.
The
Hidden Gem: Stella Dallas (1937)
Dir.
King Vidor
Her
performance in this classic melodrama earned Stanwyck her first of four Oscar
nominations for Best Actress. As the title character, she becomes an image of
the ultimate maternal martyr, sacrificing her own happiness for the good of her
beloved child. Foolish, crass, and even ridiculous at times, the character
gives Stanwyck a chance to demonstrate the full scope of her abilities as an
actress.
The
Cult Classic: The Strange Love of Martha
Ivers (1946)
Dir.
Lewis Milestone
As
Martha, Stanwyck plays another noir femme fatale, this time a desperate rich
girl determined to keep the secrets of her past from coming to light. Her
paranoia and need for control make her dangerous to everyone around her, but
especially to her husband (Kirk Douglas) and her childhood friend (Van Heflin).
Although not particularly well known today, the film earned an Oscar nomination
for Best Writing after its original release.
This article was originally published on Examiner.com. The author retains all rights to this content.
So many good movies! Stanwyck is on my list of radical feminist stars for some of these performances. My personal favorite is BALL OF FIRE, which I wrote about for Gary Coper on SUTS:
ReplyDeletehttp://thegreatkh.blogspot.co.uk/2012/08/gary-cooper-ball-of-fire-1941.html
Thanks! That's a great post of yours about BALL OF FIRE, which is one of my favorite Stanwyck movies, too.
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